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FR371 Love and Its Opposites in Renaissance France

Module Code: FR371
Module Name: Love and Its Opposites in Renaissance France
Module Coordinator: Dr Vittoria Fallanca
Term 1
Module Credits: 15

~ Module Description ~

What is the Renaissance if not the period of Love? From around 1400 to 1600 French writing was rife with texts dedicated to love and friendship taking the form of sonnets, odes, romances, treatises and essays.

Yet by the mid-sixteenth century, many French writers have had enough of Love. Rather than praising or conforming to the ideal of Love expounded by lyric poetry throughout western Europe from the Middle Ages, in France a counter-love narrative begins to take hold. Running parallel to the classic paeans to mutuality and reciprocity is a very different story, one in which struggle, competition, and strife reign supreme.

This course will revisit key French texts from the Renaissance as well as explore less canonical authors in order to reimagine the role of Love in this period, teasing out intriguing counter-narratives to the dominant love story. Exploring the fraught territory of Love and its opposites in French Renaissance poetry and prose, students will analyse and probe the modes, forms and symptoms of a tradition at odds with itself.

~ Methods & Approaches ~

The course will employ a hybrid approach, making use of close reading, historical analysis, comparative criticism (e.g. across text and image) and critical and literary theory.

Key to the course is a two-way dialogue between early modernity and the present. Students are encouraged to think of the past not as 'a foreign country' but a living presence, pulsating underneath the surface of our modern everyday.

The course is composed of weekly lectures followed by interactive seminars.

Knowledge of French is a necessary prerequisite.

Emblem from Andrea Alciati's Emblemata (Paris ed., 1534), showing Anteros having tied Eros (blindfold)  to a column.

馃挃Primary Texts

Excerpts from:

  • Maurice Sc猫ve, 顿茅濒颈别
  • Pernette du Guillet, Rymes
  • Louise Lab茅, D茅bat de Folie et Amour, Sonnets
  • 脡tienne Jodelle, 颁辞苍迟谤鈥檃尘辞耻谤蝉
  • Thomas S茅billet, Paradoxe contre l'amour
  • Ronsard, Odes
  • Montaigne, Essais (鈥楧e l鈥漚miti茅鈥 and 鈥楽ur des vers de Virgile鈥)

馃挊Secondary Texts

A sample secondary reading list is included below.

  • Giorgio Agamben, 鈥楩riendship鈥 in What is an Apparatus? And Other Essays (Stanford University Press, 2006)
  • Anne Carson, Eros the Bittersweet: An Essay (Princeton University Press, 1986)
  • Joan DeJean, Fictions of Sappho, 1546-1937 (University of Chicago Press, 1989)
  • Carla Freccero, Queer/Early/Modern (Duke University Press, 2005)
  • Aaron Kunin, Love Three (Wave Books, 2019)
  • Ullrich Langer, Perfect Friendship: Studies in Literature and Moral Philosophy from Boccaccio to Corneille (Geneva: Droz, 1994)
  • Ann Rosalind Jones, The Currency of Eros: Women鈥檚 Love Lyric in Europe 1540-1620 (Indiana University Press, 1990)
  • Marc Schacter, Voluntary Servitude and the Erotics of Friendship: From Classical Antiquity to Early Modern France (London: Ashgate, 2008)

鉁嶏笍 Assessment

10% Participation in seminars
20% Presentation on a secondary text
70% 2500-word final essay in response to a pre-approved question
Disclaimer
This information was correct at the date of publication. However, teaching staff (or their availability) and departmental facilities do sometimes vary, or become unavailable, for reasons beyond the University鈥檚 control. In exceptional cases, timetable slots may need to change to accommodate clashes. Where this happens, the University will ensure the minimum of disruption and will ensure that the expected standard of education is maintained.

Dr Vittoria Fallanca

Week 1: Anti-Love, an introduction

Week 2: Sc猫ve and Pernette du Guillet: Love and Rivalry

Week 3: Love Sucks: Theories of Love and Anti-Love

Week 4: Louise Lab茅: Sapphic Subversions

Week 5: 脡tienne Jodelle: The Lover as Anti-Poet

Week 6: Reading week

Week 7: Ronsard: Machismo and Melodrama

Week 8: Long Live Love?: Theories of Love and Anti-Love (2)

Week 9: Thomas S茅billet: Anterotics of Translation

Week 10: Montaigne: Blissful Ambivalence

A painting by Guido Reni (1575-1642), depicting three sets of putti (cherubs) wrestling

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