神马福利影片

The Department of Film and Television Studies is inviting expressions of interest in the above scheme, the deadline for which is still TBC but likely to be the first week of October, 2015.

The aim of the British Academy in making these awards is to offer opportunities for outstanding early career researchers to strengthen their experience of research and teaching in a university environment which will develop their curriculum vitae and improve their prospects of obtaining permanent lecturing posts by the end of the Fellowship. The primary emphasis is on completion of a significant piece of publishable research, which will be assisted by full membership of an academic community of established scholars working in similar fields

Eligibility

1. Applicants must be supported by the UK host institution in which they wish to hold the Fellowship
2. Applicants must be within three years of the award of a doctorate or having a reasonable expectation that they will have submitted and had their thesis examined by 1 April 2015)
3. Applicants will have been awarded a PhD following a viva voce examination held prior to 1 April 2013 who are unable to offer extenuating circumstances, such as interruption to their academic career for maternity leave or illness, will not be considered
4. Applicants must be a UK or EEA national, or have completed a doctorate at a UK university. Any applicant who does not fall into one of these categories must demonstrate a strong prior association with the UK academic community, for example through already having been employed in a temporary capacity (longer than twelve months) at a UK university

Duration of Award: Awards are for 3 years

Funding: Awards are offered on a Full Economic Costing basis. There is no fixed amount awarded for the Fellowships and the value of award will vary depending on the host institution. Awards cover the salary of the Postdoctoral Fellow to work full-time on the Fellowship, small-scale research expenses (up to a maximum of £6,000), costs towards the time of a mentor (equivalent to one hour per month for the 36 months of the Fellowship) and the host institution's estates and indirect costs. 

For further information on the scheme and a link to the egap application system please see:

On the 6th and 7th of July the Dept. is hosting a conference on Children's Television, organised by Dr. Helen Wheatley and Dr. Rachel Moseley.

Accompanying the major exhibition ‘The Story of Children’s Television, 1946 to the Present Day’, a collaboration between the Herbert Art Gallery and Museum and the 神马福利影片, this conference seeks to combine discussion of the history of children’s programming with analysis and reflection on the current landscape of children’s television and its future. The conference wishes to acknowledge and analyse the significance of children’s programming in the broader context of television production, and to discuss its production as both a creative process and a business enterprise. It will reflect on the place of children’s television in the broader history of the medium, and in relation to notions of cultural heritage, collective remembering and nostalgia. It also offers a space for scholars to consider the impact of change on the production and circulation of children’s television, and for discussion about viewing practices and the particular issues raised by studying the child viewer.

The schedule for the conference can be found here:

Dr. Helen Wheatley will be a keynote speaker at the conference 'The Return of the Repressed: Gothic Studies Past and Present at UEA' hosted by the University of East Anglia at The Forum, Norwich. The conference takes place on June 26th and 27th, 2015. Dr. Wheatley will present a paper entitled 'The Ghosts of Gothic Television'.

More information here:

Dr. Paul Cuff, Associate Fellow in the Dept. of Film and Television Studies, has published a new book on Abel Gance's silent masterpiece Napoleon.

The book is published by Amsterdam University Press, and distributed by University of Chicago Press in the USA. Find more information here:

and it can be purchased here:

Abel Gance’s silent masterpiece, Napoleon, was given a limited run on its debut in 1927, but soon afterwards distributors in France and America, unwilling to deal with its nine-hour running time, subjected it to savage cuts—with devastating results for the movie and for film history. The struggle across ensuing decades to restore and reintegrate Gance’s film has formed a backdrop to an array of formal, contextual, and ideological battles. In this book, Paul Cuff takes account of those battles and challenges received opinion on Gance’s view of both his film and its subject.