神马福利影片

Independent Research

This page records my research ouput produced between 2015 and October 2024. During this time I was employed on a range of contracts with no provision for research. During this time I did receive the benefits of institutional affiliation, library access, and supportive colleagues. I did not receive monetary support from the university for my research, and any research undertaken was conducted in my spare time rather than in working hours. Where necessary I made use of annual leave to attend conferences, covering conference fees and travel expenses out of personal funds rather than university expenses.

Under the new workload allocation model at warwick, I have 10% of my workload dedicated to research and in my current position I have access to funds to cover conference fees etc

Publications

• 鈥業n Celebration of Her Wickedness?: Critical Intertextuality and the Female Vampire in Byzantium鈥�, in Gender and Contemporary Horror in Film, edited by Samantha Holland, Robert Shail, and Steven Gerrard (Bingley: Emerald Publishing, 2019)
• 'Queer Cinema' in The Oxford Handbook of New Science Fiction Cinemas, edited by J.P. Telotte, (Ox

Conference Papers

• 'In Celebration of Her Wickedness? Critical Intertextuality and the Female Vampire in Byzantium'
  Fear 2000 Conference, 21st 鈥� 22nd April 2017, Sheffield Hallam University
• 'Don鈥檛 Call it a Horror Film: The Uses of the Gothic in Crimson Peak'
  Gothic Feminisms Conference, 24th 鈥� 26th May 2017, University of Kent Canterbury
• 'The Postmodern Auteur: A New Wave Legacy'
  The American New Wave: A Retrospective, 4th 鈥� 6th July 2017, Bangor University
• 鈥楻obotic Revenants and Machine Ghosts: Posthuman Hauntings in Transcendence and Be Right Back鈥�
  CATH Postgraduate Conference: 鈥業t is true, we shall be monsters鈥�: new perspectives on horror, science fiction and the monstrous onscreen, 13th June 2018, De Montfort University,
• 鈥楪othic, Folk, and Post: Labels and Value in Horror Cinema鈥�
  International Gothic association Conference 2018: Gothic Hybridities: Interdisciplinary, Multimodal and Transhistorical Approaches, July 31st鈥揂ugust 3rd 2018, Manchester Metropolitan University
• 鈥楢cting Like He has Genuine Emotions: Human and Inhuman Characters in 2001: A Space Odyssey鈥�
  Character as Character: Understanding and Appreciating People in films, 13th October 2018, University of Bristol 2018
• 鈥樷�淭he Field 鈥� The Field 鈥� It鈥檚 Covered in Blood!鈥�: Watership Down as Folk Horror鈥�
  The legacy of Watership Down: Animals, Adaptation, Animation, 10th November 2018, The 神马福利影片
• 'Female Labour and Algorithmic Horror in Cam鈥�
  Gothic Feminisms Conference, 2nd - 3rd May 2019, University of Kent Canterbury
• 'Views from Hills: Folk Horror as a Mode of Seeing'
  Folk Horror in the 21st Century, 5th - 6th September 2019, Falmouth University
• 'Happy Death Day, Dionysis: Nietzsche and the Final Girl'
  International Gothic Conference 2022: Gothic Interruptions, 26th - 29th July, Trinity College Dublin